Simple but cool big beat music from Brighton Port Authority (nee Fatboy Slim)
Back in August when I wrote up Fatboy Slim, I mentioned that he also performs under the name Brighton Port Authority, though I hadn’t heard any of this work under that name. I picked up a disc at the library called “I Think We’re Gonna Need A Bigger Boat” by the BPA but didn’t realize at the time what that stood for. Turns out it’s the newest release from the Brighton Port Authority, a.k.a. Fatboy Slim, a.k.a. Norman Quentin Cook, who was born Quentin Leo Cook.
If you’re not familiar with BPA’s MO, he is a British DJ, producer, and general big beat artist who likes to work with a variety of vocalists and instrumentalists using his own production, sampling, and looping skills to make the songs hot. On, “I Think We’re Gonna Need A Bigger Boat,” he works with a different vocalist on every track, including big names like Iggy Pop, David Byrne, Martha Wainwright, and Dizzee Rascal.
Once I realized who BPA was, I was excited about the names of the various collaborators. Sadly, I was disappointed by the Iggy Pop tune and the David Byrne tune. In fact, a lot of it didn’t grab me, unfortunately. There were, however, 4 winners on the disc and you might want to look at picking up the individual tracks.
- So It Goes (featuring Olly Hite) – A little electric piano and some sweet harmony vocals set up a stripped down R&Bish version of this old Nick Lowe song.
- Superlover (featuring Cagedbaby) – This is a pretty melody that Cagedbaby (Tom Gandey) sings sweetly. Like ‘So It Goes,’ the song is simple, but really appealing.
- Spade (featuring Martha Wainwright – Martha is the daughter of Loudin Wainwright and sister of Rufus. No shortage of musical talent in that family. This reggae vibe is beautifully sung and interestingly produced. It might be my favorite on the disc.
- Should I Stay or Should I Blow (featuring Ashley Beedle) – Another simple, but this time highly danceable track. My daughter just commented that she loves this song so I added it to her mix.
Whatever he calls himself tomorrow, BPA has a great knack for picking songs and wrapping cool arrangements around them.
Deep and varied rock with ambient roots from Apse
These guys come from a tradition of ambient and “shoe-gazer” rock. They’ve had a lot of line-up changes, though, and each new incarnation plays more mainstream and accessible music than the last. Their new album, “Climb Up,” is a strong effort. Check out the album and read my review on AltSounds: http://hangout.altsounds.com/reviews/113466-apse-climb-up-album.html
Post-rock meets alt-country from the brilliant Califone
Most of Califone’s new release, “All of My Friends Are Funeral Singers,” is mellow, but there is plenty of energy. They have put out a richly textured and appealing album with dark themes. Really, really good stuff. Read my review on AltSounds: http://hangout.altsounds.com/reviews/113336-califone-all-my-friends-are-funeral-singers-album.html
The Friday mix: No theme. Just good music.
When I’m riding around in my car and a song comes on my iPod that I particularly want to share, I tag it for later. So this week I don’t really have a theme other than this being a round-up of songs that I’ve tagged over the last few weeks. I hope you like.
- You Make No Bones – Alfie
Every time this song comes on, I think it’s Gomez for a minute. I like Gomez a lot, so I like this song. Great mix of harmonica and strings behind an appealing melody. - Spreadin’ Rhythm Around (Lady Bug vs. Lady Day RR Remix) – Billie Holiday
Fantastic, fantastic song. In the first place, you’ve got Billie so you can hardly miss. The old instrumentation is still there, so you’ve got lots of wailing clarinet and muted trumpet. Then you add in updated percussion and Lady Bug (Digable Planets) alternating verses with Billie and it’s such a winner. - Arc of Time – Bright Eyes
Kind of a cool contemplation of life, death, and what comes after. I like the funky, clap-laden percussion, the multi-octave vocals and the kind of deep lyrics. - Happiness – Built to Spill
I really like Built to Spill. The juxtaposition of the slide guitar with his nasally alto verses is really cool - Dim the Lights – Ekolu
I can only take so much Reggae in one sitting but the well placed Reggae tune is a thing of beauty, which is why I like to throw the occasional one into a mix. This has all the standard elements: keyboards on the upbeat, a little horns, a sweet melody. It makes me smile. - I Don’t Care – Fall Out Boy
Not a whole lot of Fallout Boy really grabs me, but this is one of them. It’s a great stomping groove with cool background vocals thrown in and a really catchy guitar hook. I find a lot of their stuff kind of basic, but this is some advanced songwriting, in my opinion. - All Rise – Further Seems Forever
This has kind of a grungy feel to it, but it doesn’t do so much of the minor chord thing. The verses are wispy and thoughtful but the chorus you don’t get to hear in this sample is big, sweeping, and melodic. - Thursday – The Futureheads
Fat harmony vocals like this get me every time. The jangling guitars and simple percussion don’t bowl you over, but the lead and backing vocals and even the peculiar lyrics give this song appeal. - Do It for Free – G. Love & Special Sauce
“Philadelphonic” was an atypical album for G. Love, but this is my favorite. Everyone has heard the Jack Johnson song ‘Rodeo Clowns’ off this album, but this one is a lesser-known but equally catchy Pop song from the same release. - Sirens – The Gabe Dixon Band
Gabe has some busy fingers on his piano in this track. The melody of the verses is pretty, the chorus swells and ebbs, and the bridges feature some cool guitar work. Gabe is doing the heavy lifting keeping the groove going, so the guitar can sort of ooze around and set mood. They do a really nice job with it. - She Knows – Gnarls Barkley
Charles Barkley is a prick. Gnarls Barkley, however, is a collaboration between one of my favorite producers, Danger Mouse (Brian Burton), and rapper Cee-Lo Green. This track is from “The Odd Couple” and it’s a quiet, pretty groove. Like all of their stuff, the production is worth listening to and the lyrics demand your attention. - Sweet Emotion – Mike Gordon & Leo Kottke
This really is a great version of this song, though why Amazon picked this nondescript segment as their clip I don’t know. Mike Gordon (Phish) is an amazing bass player and if I could play a guitar like Leo Kottke I would never put it down. - Crosseyed Beautiful Youngunz – Love as Laughter
Just a simple song with some clean electric guitar and gentle electric piano, but the melody is just beautiful.
I think that will do it for this week. Enjoy with an early Christmas Ale, which is something else I’ve enjoyed over the last few weeks. Have a good weekend.
The Friday mix: More of my favorite female artists
Today I’m going to continue making my way through some of my favorite female performers. I pulled 16 songs from the letters G through J in my iPod so I got artists both popular and obscure. I hope you like them.
- Goodness – Electricity, Electricity
I don’t actually know anything about Goodness nor do I have any other song by them. However, they contributed this winner to the “Schoolhouse Rock Rocks!” album. It’s an energetic (no pun intended) cover of the great cartoon song. Her delivery of the “Electricity Eeeeelectricity” lyric has this great liquid sheen that I love and since she sings it in every measure of the song, I love the song. - Helium – The Revolution of Hearts
They were never a huge band, but there is an interesting story attached to their front woman Mary Lou Lord, if Wikipedia is to be believed. For my part, I just like their songwriting. Towering and complex guitar parts paired nicely with simple and pretty vocal lines. - Holly Golightly & The Greenhornes – There Is an End
Holly Golightly pops up in some unexpected places. In addition to her own voluminous solo career, she has collaborated with acts like Rocket from the Crypt and The White Stripes. This is a collaboration with The Greenhornes that wound up on the Broken Flowers Soundtrack.
Something about that is just sexy as hell. Don't stop playing those instruments, ladies.
- Hope Sandoval & Warm Inventions – On the Low
Of course, I loved Hope Sandoval’s work with Mazzy Star, but this is a song you may not have heard by her. In addition to being drop dead gorgeous, she has great patient melodic sense and a smooth, smoky voice. - Inara George – No Poem
OK. So this is cheating. I already wrote up Inara George as part of The Bird and Bee. But in addition to her work with them (with whom she still works), she has released some solo work. I really like this sweet, twisted love song. The gist is he is no poem when he opens his mouth, so she tells him, “If I were you I wouldn’t talk. I’d just keep on dancing.” - Ingrid Michaelson – The Way I Am
I couldn’t decide between this song and ‘Die Alone.’ Ultimately, I picked this one because my daughter loves it. The simplicity of this song reminds me of Feist but it’s funnier than Feist. - Isobel Campbell & Mark Lanegan – Saturday’s Gone
Cellist and singer Isobel Campbell used to be a member of Belle & Sebastian. I’ve got to say I’m glad because I like her solo stuff better than I like B&S and on this one she gets to work with Scream Trees founder Mark Lanegan. This is a pretty, dreamy song like you might expect from someone hip deep in the Indie scene but maybe not from someone with roots in the grunge scene. - Janis Joplin – One Good Man
The one and only. I always really liked this one, perhaps because she was able to convey so much emotion with her voice. It was made for the Blues. - Jefferson Airplane – Volunteers
Grace Slick is one-of-a-kind. Radio murdered most of their songs for me. This one never got as much airplay. The whole intergenerational tension thing seems silly to me now – perhaps because I wasn’t there – but the song rocks, make no mistake. - Jem – They
Jem has a few songs I really like, but again I had to go with this one because it is one of my daughter’s favorite songs ever. It is quite possibly the best updating of a Bach song ever (Prelude in F from The Well Tempered Clavier). - Jesca Hoop – Summertime
Born to strict Mormon parents, Jesca Hoop ran off to be a homesteader in the wilds of Northern California before becoming a nanny for Tom Waits’ kids. He describes her music as “going swimming in a lake at night.” This song makes me smile every single time I hear it. - Jill Cunniff – NYC Boy
I love Jill Cunniff most for her brilliant worth with Luscious Jackson, whom I will be writing up next time. Since their breakup, though, she has done some solo work, which I also like. This is poppier than the LJ stuff of the past, but it’s still good. - Jill Scott – It’s Love
I suppose I need to listen to more Jill Scott. This was the only song on “Who Is Jill Scott?” that I really liked, but what an unbelievable song. I also really like her collaboration with Lupe Fiasco, ‘Daydreamin’.’ I should check out the rest of her catalog. - Joan Osborne – Right Hand Man
Joan Osborne is an amazing talent. I was always rooting for her to become huge. She has collaborated with everyone from The Dead to Michael Franti to The Funk Brothers. I’ve seen her perform on a few occasions and she has such a great voice and exudes such a powerful sexual energy. She is absolutely riveting. This song was from the same album as the unfortunate ‘One of Us’ but this song has sprit and soul and electricity. - Jonatha Brooke – How Deep Is Your Love?
I’ve been a fan of Jonatha Brooke since her early days with The Story. Ms. Brooke is a fabulous songwriter. This song comes from my favorite record of hers, Steady Pull. Also check out the title track, a collaboration with the aforementioned Michael Franti. - Julie Dexter – Ketch a Vibe
I don’t know who selected this clip, but it’s from the intro. Once this song gets going, it’s huge and energetic. You can get a sense of it from this live performance, but the sound sucks.
That’s it for this week. Enjoy with a bottle of some really good wine, because she’s worth it.
The Friday mix: Spooky and cool music for Halloween
Halloween has been my favorite holiday since I was about 9. Maybe it’s because October is such a great month in NE Ohio. Maybe it’s the brazenly pagan nature of the holiday. Maybe I was just a macabre little kid. Anyway, this year I put together a mix of songs some of which are creepy, some of which just have Halloween themed titles, but all of which are cool. I hope you like them.
- This Is Halloween – Marilyn Manson
Manson’s version of this song is fantastic. They never made a video that I know of, but here it is synchronized with the original footage from Nightmare Before Christmas. - Black Feather Wings – Bourbon Princess
I first heard this song on the Respond benefit compilation CD. It’s a bass-heavy, oozy song with a cool lyrics and a great feel. - Scarecrow – Beck
“Guero” was a great album, but then, Beck hasn’t put out a bad album that I’ve heard. Typical funky Beck groove, lots of effects, great vocal melody, and engaging lyrics. - New Killer Star – David Bowie
Bowie continues to put out cutting edge music year after year. He has never lost his ability to write catchy melodies and has reinvented himself more times and more successfully than Madonna. I like this song and it is nearly impossible to look away from this video. - Vampires and Failures – Grandpaboy
The solid Pop guitar riff, dark lyrics, and vocal delivery give this track kind of a vintage Rolling Stones feel. I found this on “Not the Same Old Blues Crap: Vol 3,” and indeed it is not. - Pretty Girls Make Graves – Dada
Not The Smiths’ version. This one is an entirely different song and it’s much cooler. The Amazon sample only has the quiet intro, but about 10 seconds after this clip ends, the guitars kick in and it turns into a rocker. - See You Dead – Helmet
True Halloween fare here. “I’d like to see you in two pieces. You won’t be walking. Barely breathing.” It’s actually a love song, believe it or not. A stalker love song. Ah, Halloween, when a young man’s fancy turns to thoughts of decapitation. - Necromancer – Gnarls Barkey
If you thought “See You Dead” was creepy, wait ‘til you get a load of this one. What could be better than a little “naughty necrophilia?” The lyrics to this are truly disturbing. - Little Death – +44

I sent this mix to my brother on CD with this cover art and the title "The Horror."
I’m not actually a big fan of a lot of +44, but this song reached me. I like the quiet acoustic groove at the beginning with the verses sung in two octaves and then the slamming chorus. This track is well produced too. In particular pay attention to what they do with the percussion. It even has good lyrics.
- Invisible Man – Joe Jackson
Joe Jackson has put out over 20 albums since “Look Sharp” came out in 1979. I came upon this one and was stunned to find several really good tracks on it, including this one. I say stunned not because I thought he would suck, but just because he hasn’t had a Billboard hit in the U.S. since 1984. I hear this and I’m not sure why not. - Grey Ghost – Mike Doughty
When Doughty was with Soul Coughing, they were the coolest band in the land, in my opinion. Since then he has largely left that sound behind and does the singer/songwriter thing these days. That said, he’s still a talented songwriter and this is a cool acoustic song. - Devil’s Pie – D’Angelo
A little D’Angelo goes a long way for me, but this is one of my favorite songs of his (Spanish Joint is better). A funky groove, almost eerie keyboards, and deep lyrics. Good stuff. - War Pigs – Cake
They screw up some of the lyrics, but I still love this version. Every time this song comes on my iPod, people are intrigued and want to know who it is. - House of 1000 Corpses – Rob Zombie
More good Halloween fare. The movie was a bit ham fisted, but I suppose it was exactly what it set out to be. This song, on the other hand, is great. The guitar hook is inescapable and Rob Zombie’s gravelly vocal delivery works really well. Shrieking background vocals and some movie sound bytes add some nice texture. - She Said – Jon Spencer Blues Explosion
This song is about becoming a werewolf. I love the song, but I’m not sure what the hell is going on in this video. - (Antichrist Television Blues) – The Arcade Fire
These guys have listened to a lot of Bruce Springsteen. I’m just saying. Nothing new here, but I still like the song. Plus it has “antichrist” in the title, so into my Halloween mix it goes. - Monsters Lead Such Interesting Lives – Mel Torme
I can’t believe this entire song isn’t on YouTube (except for a dreadful version of some woman dressed as a witch singing it karaoke style [shudder]). This is from Daffy Duck’s Quackbusters and is one more reason Mel Torme is one of the coolest singers ever.
Enjoy with a Bloody Mary and have a great Halloween, everyone!
Funky instrumental Jazz from the Beastie Boys
Back in 1996, my brother played “The In Sound from Way Out,” a Beastie Boys disc that was entirely instrumental. This was a couple years after “Ill Communication” and nobody (or not many people, anyway) had a sense that they could do anything other than what we had heard from them on the radio. The album was jazzy, funky, and interesting. I suppose it was more surprising than brilliant, but I liked it.

Other great song titles on this disc include 'Electric Worm,' 'The Rat Cage,' and 'The Kangaroo Rat.'
In 2007, the Beasties returned to instrumental music with the release of “The Mix-Up.” I was excited about this release, particularly since I’m an even bigger fan now than I was in 1996. I saw them at Bonnaroo last year and it was an outstanding show. They are accomplished musicians, which fans know, but non-fans may not notice behind the shouted raps.
So in it went. Sadly, I have to report that overall, the disc is a little disappointing. They experiment again with funky Jazz grooves and rely more on instruments, less on postproduction work to liven up the disc. There are several good songs, but most of it just comes up a little flat. I understand that they’re stepping out of their comfort zone and doing something a little different, but on a lot of the songs they do too little. It seems as if they’re pointedly demonstrating that they can lay back and not get in your face. As a result, they lose me on a lot of this release.
Of course, it could just be me. “The Mix-Up” won a Grammy for Best Pop Instrumental Album, but I find myself wondering if there really weren’t any other better instrumental albums that year. Now, I have harshed all over this album, but I did rip 5 tracks and moved them straight to my Jazz mix. Give a listen.
- Suco De Tangerina – This keyboard-focused song features the great production we have come to expect from the Beasties. My daughter likes this one.
- Freaky Hijiki – Spare, minor key instrumentation and somewhat halting percussion still construct a good groove.
- Off the Grid – This song takes its time getting going. The entire first 2 minutes are a little drab. But then the guitar kicks in and they rock a sunny chord progression with flanged guitar and warbling keyboards.
- Dramastically Different – The intro sounds identifiably like Beastie Boys to me. For the first 30 seconds, I kept waiting for Mike D to start yelling, “Well! Now! Don’t you know it’s a…” Then a sitar starts playing and it sounds like some post psychedelic 60s funk throwback.
- The Cousin of Death – The guitar is fuzzier than caterpillars and hops on the downbeat while whining keyboards do the heavy lifting. I like this track a lot.
If you like this, you should definitely check out “The In Sound from Way Out,” which I think was a better attempt at this concept.







